{"id":89,"date":"2016-09-07T16:38:08","date_gmt":"2016-09-07T15:38:08","guid":{"rendered":"http:\/\/www.cepsound.com\/www-2\/wordpress\/?page_id=89"},"modified":"2016-12-14T17:09:57","modified_gmt":"2016-12-14T16:09:57","slug":"bio","status":"publish","type":"page","link":"http:\/\/www.cepsound.com\/art\/bio\/","title":{"rendered":"biographie"},"content":{"rendered":"

t\u00e9l\u00e9charger au format Pdf<\/a><\/span><\/p>\n

Charles-Eric P\u00e9ard, cr\u00e9ateur de cepSound<\/strong>, est compositeur et performeur sonore.<\/span><\/p>\n

En 1999, il r\u00e9dige un m\u00e9moire intitul\u00e9 “Les effets du sonore sur la perception du visuel dans l’art contemporain” <\/strong>: que se passe-t-il dans le cerveau lorsque l’\u00e9coute d’un son (bruit, musique, voix, etc.) g\u00e9n\u00e8re une “image mentale”<\/strong> alors que l’on est en train de regarder une vid\u00e9o, un dessin, une photographie, un corps, c’est-\u00e0-dire une autre image. L’influence de cette audio-vision, ou \u00e0 l’inverse, de cette visu-audition, demeure aujourd’hui un axe essentiel dans ses compositions sonores. <\/span><\/p>\n

Au m\u00eame moment, c’est l’explosion de la musique techno et des rave parties, il acquiert un PC de seconde main et commence \u00e0 explorer la composition musicale avec les logiciels s\u00e9quenceurs.<\/span><\/p>\n

En 2000, il devient l’assistant d’Henri Maurel, pr\u00e9sident de RadioFG<\/em>, radio musicale consacr\u00e9e alors exclusivement aux musiques \u00e9lectroniques. Il travaillera \u00e0 ses c\u00f4t\u00e9s pendant 5 ans, \u00e0 la mise en place de festivals et d’expositions d\u00e9di\u00e9s aux nouvelles musiques et \u00e0 l’art num\u00e9rique (Global Tekno 2000<\/em> \u00e0 Avignon, Werkstatt 2001<\/em> \u00e0 Vienne en Autriche, etc.) ou de projets fous comme l’after du concert de Bj\u00f6rk \u00e0 la Conciergerie (Paris). Puis, il travaille plusieurs ann\u00e9es en communication culturelle (th\u00e9\u00e2tre, art contemporain, patrimoine, mode et design) tout en participant \u00e0 l’organisation d’\u00e9v\u00e9nements alternatifs (cr\u00e9ation d’un squat sur les bords de Seine avec le collectif Asphalt Plage<\/em>, organisation de soir\u00e9es avec le collectif inoui<\/em>).
\n<\/span><\/p>\n

En 2005, Charles-Eric P\u00e9ard rencontre le collectif Ultralab\u2122<\/em> alors \u00e0 la recherche d’un compositeur sonore pour sa prochaine exposition. Le collectif lui commande deux pi\u00e8ces sonores<\/strong> pour Diorama III<\/em><\/a><\/span> \u00e0 la galerie Magda Danysz<\/em> (Paris). C’est le d\u00e9but du projet et de la signature cepSound<\/em>.<\/span><\/p>\n

Les r\u00e9alisations se multiplient alors au fil des ann\u00e9es et des rencontres. On peut croiser les cr\u00e9ations sonores de cepSound<\/em> dans des \u00e9missions de radio<\/strong><\/span> (l\u2019Atelier de Cr\u00e9ation Radiophonique<\/em> Bribes sans abri<\/em><\/a><\/span> pour France Culture<\/em>), des installations sonores<\/strong><\/span> (OGM \u2013 Ordre G\u00e9n\u00e9ral Mondial<\/em><\/a><\/span> et Huntsville – La Honte du monde<\/em><\/a> au festival D’abord les for\u00eats<\/em><\/span><\/span>), des installations vid\u00e9o<\/strong><\/span> (Diorama III<\/em><\/a> \u00e0 la galerie Magda Danysz<\/em><\/span><\/span>, Ex.Croissance<\/em><\/a><\/span> au Cube<\/em>, ou encore<\/span> B-B Before #3<\/a><\/em> au festival Sur le bords des… nuages<\/em><\/span><\/span>), des performances<\/strong> <\/span>(B-B<\/a><\/span><\/em> Before<\/a><\/span><\/em> Birth <\/a><\/span>et B-B Before Birth#2<\/a><\/span>,<\/em> Nature Morte \u2013 ESPERANCE<\/em><\/a>, <\/em><\/span>QUI EST LA ?<\/em><\/a><\/span> avec Caterina Perazzi ou\u00a0Gen\u00e8se de l’Apocalypse<\/a><\/span><\/em> avec Franck Laroze), en live<\/strong><\/span> (avec le violoniste\u00a0S\u00e9bastien Maillet) ou encore dans des publications<\/span><\/strong> (le r\u00eave \u00e9veill\u00e9\u00a0 Une \u00e9toile est n\u00e9e<\/a><\/span><\/em> int\u00e9grant la technique de musique binaurale ou l’e-book C\u0153ur N\u00e8gre<\/em><\/a><\/span> aux \u00c9ditions E-Fractions<\/em>).<\/span><\/p>\n

Parall\u00e8lement, Charles-Eric P\u00e9ard a \u00e9galement cr\u00e9\u00e9 la signature<\/span> cepSound<\/span> | design |<\/span><\/a> d\u00e9di\u00e9e \u00e0 l’univers de la communication et de la musique \u00e0 l’image.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

t\u00e9l\u00e9charger au format Pdf Charles-Eric P\u00e9ard, cr\u00e9ateur de cepSound, est compositeur et performeur sonore. En 1999, il r\u00e9dige un m\u00e9moire intitul\u00e9 “Les effets du sonore…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"yoast_head":"\nbiographie de Charles-Eric P\u00e9ard \/ cepSound<\/title>\n<meta name=\"description\" content=\"Charles-Eric P\u00e9ard, cr\u00e9ateur de cepSound, est compositeur et performeur sonore. 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